THE BINARY OF THE HUMANITIES AND THE SCIENCES – HIRA

In a 2024 op-ed published in the Indian Express, Manish Sabharwal and Ashish Dhawan (the latter a philanthropist and a founder-trustee of Ashoka University) posed an important question: “Isn’t it impossible to decide which disciplines matter more: The sciences that lengthen our lives or the humanities that make those longer lives worth living?” The article … Continue reading THE BINARY OF THE HUMANITIES AND THE SCIENCES – HIRA

The Life and Times of Hindutva Cinema—Rayan Chakrabarti

I am an avid user of OTT platforms, utilising the late-night and cheap internet to binge questionable films. As Netflix orients us towards consuming distinct genres, I have been attracted to a peculiar fetish that can only be categorised as Hindutva Cinema.  Films praising the Modi government’s policies have multiplied exponentially in the last ten … Continue reading The Life and Times of Hindutva Cinema—Rayan Chakrabarti

‘It does not matter who you are. Everyone here is the same’: Fieldnotes from the Jaydev Kenduli Baul Mela—Debayan Das

January 2022 As the first light of dawn caressed the tranquil waters of the Ajay River, the world seemed to hold its breath in anticipation. A soft, golden glow spread across the horizon, gently nudging awake the sleepy village of Jaydev Kenduli (hereafter, Jaydev) nestled on its banks. The sky, a canvas of soft pastels, … Continue reading ‘It does not matter who you are. Everyone here is the same’: Fieldnotes from the Jaydev Kenduli Baul Mela—Debayan Das

Looking at Hindutva Through The Visual Medium of Memes—Supratik Sinha

Hindutva as an ideological force has gained prominence and visibility after 2014 with the election of the Bharatiya Janata Party (BJP) to the Centre. Christophe Jaffrelot, in his book Hindu Nationalism: A Reader, comments that Hindu Nationalism emerged from the “superimposition of a religion, a culture, a language, and a sacred territory-the perfect recipe for … Continue reading Looking at Hindutva Through The Visual Medium of Memes—Supratik Sinha

The Myth of Belonging: How to Create a Nation—Hira

Untitled (2005), M.F. Husain [Courtesy: Learning Journal] Amidst the chaos and uncertainty in the academic year of 2021-22, as students and teachers alike learnt to grapple with the online mode of teaching, NCERT used the time to quietly edit the contents of its History and Political Science textbooks from classes 6 to 12. Official communication … Continue reading The Myth of Belonging: How to Create a Nation—Hira

Neoliberalism and the Politics of Mental Health—Yanis Iqbal

Illustration courtesy: Olivia Newland In its neoliberal phase, capitalism no longer exists as a historical force with capabilities to play a progressive role. On the contrary, it keeps nakedly “asserting its power all the way to the historical limit of its viability”, as Istvan Meszaros puts it. Breaching these limits, neoliberalism, becomes a ‘counter-historical’ force. … Continue reading Neoliberalism and the Politics of Mental Health—Yanis Iqbal

Agyeya’s ‘The Writer And His Society’—Transcreated by Tushar Srivastava

Sachchidanand Hiranand Vatsyayan, ‘Agyeya’, at his home in Delhi [Image Courtesy: Vatsal Nidhi] Following is an attempt to ‘transcreate’[1] Agyeya’s essay titled ‘Lekhak Aur Uska Samaj’ which is excellently archived in the collections of ‘Vatsal Nidhi Prakashan Mala: Samvitti’ published by ‘Sasta Sahitya Mandal’ — to which I remain very thankful. All meanings of thought, conveyed … Continue reading Agyeya’s ‘The Writer And His Society’—Transcreated by Tushar Srivastava

Tribulations for the Future of Classical Arts in India—Arnaaz Zaman

The eviction of veteran Odissi dancer, Padma Shri Mayadhar Raut The insular world of classical arts rarely surfaces on the mainstream news-headlines in India. Yet, the eviction of Mayadhar Raut, the doyen of the Odissi dance form, from his government accommodation in New Delhi brought the fraternity to the fore of the news-cycle.  As images of … Continue reading Tribulations for the Future of Classical Arts in India—Arnaaz Zaman

Walking Through the Blind Alleys of Culture: A Glance into the Politics of ‘Sensory Heritage’—Ananyo Chakraborty

The Exhibition Venue: Kamala Palace in Shyambazar (Image: Suchintan Das) On 30th July this year, my friend Suchintan and I made an impromptu plan to visit an exhibition which claimed to showcase the “Sensory Heritage of Kolkata Streets”, having chanced upon its poster among many others pasted along the archaic staircase of the Indian Coffee House … Continue reading Walking Through the Blind Alleys of Culture: A Glance into the Politics of ‘Sensory Heritage’—Ananyo Chakraborty

Mask, Maker, and the Market: Dispatches on Chhau from Charida—Debayan Das

A Chhau mask depicting Goddess Durga Introduction Chhau is a unique tribal martial dance performed in the month of Chaitra across villages in the states of Jharkhand, West Bengal and Odisha, by mostly all-men troupes. Its practice in these three states gave rise to three different schools or styles of Chhau: Seraikela, Purulia and Mayurbhanj. … Continue reading Mask, Maker, and the Market: Dispatches on Chhau from Charida—Debayan Das